I’m not sure quite when it happened but pop music has taken a real turn for the worse over the last decade. It is now created by committee, teams of writers and producers undertaking market research to engineer the most marketable track. It is about spending millions on a video that shows scantily clad clothes horses writhing unconvincingly about. It is boy bands air grabbing on the inevitable key change for added drama. It is about the shock value of wearing a costume made out of meat or is merely the final unsatisfying pay off of an ailing TV show parading as the music industry. It is about anything but a good tune. Thank god for people like Sarah Louise Owen.
Fireworks is all about the tune. It is carefree without being twee, it is jaunty without bowing down to the Americanised R’n’B template, it bounces and is snap, crackle and….pure pop. Even hoary old rockers like myself can’t help but smile at its innocence and good time vibes, you try typing out a review when you can’t stop clicking your fingers to the tune. You even get a brass section to power the jollity along. It looks like real pop is back on the menu folks!
by GreenManMusic.bizon: 9th April 2013
On Friday 4th and Saturday 5th October, Migrations in partnership with Pontio presented Bodies in Urban Spaces, a travelling performance rediscovering the urban spaces of Bangor, Gwynedd.
The original creation of Austria’s Willie Dorner, Bodies in Urban Spaces has become a worldwide sensation. With successful tours to Paris, Vienna, Moscow, Philadelphia, Montreal and Seoul. In Bangor, over the two days, over a thousand people experienced the performance.
Bodies in Urban…
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How did they do that?!
Keith Morris
A worldwide sensation which has toured Paris, Vienna and Moscow is now quite literally squeezed into Bangor.
Bodies in Urban Spaces aimed to help people experience urban architecture in a new and unique way – by squeezing into parts of the city itself.
I
first met Peter Kraus (who you see here tearing it up back in the day)
walking down the street in the early eighties. At the time he was our
milkman, and because he was keen to get his round finished so he could
get on with one of his adventures later in the day he…
Midway - a film by Chris Jordan
Trailer Review
you know i'm pretty optimistic much of the time, but occasionally i sink. And seeing this was one of those moments. aside from the impacts of global warming / climate change and the affects that is and will continue to have on us (humans) the environment that sustains us all and the…
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Artist: Sarah Louise Owen
Album: Dream Catcher
Release Date: 25th November 2012
The female voice is a wondrous thing in my opinion. It can make more of even the most mundane lyrics than you could reasonably expect. Not that any of the lyrics on “Dream Catcher” are mundane – far from it – but Sarah Louise Owen…
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On the 12th August, 2012, the fantastic Jelili Atiku came to visit TOGYG, the artist group run by Bangor Greadigol, based at The Old Goodsyard, Treborth. Jelili inspired us all with his enthusiasm and pulled performance pieces from even the most reticent of us. A true collaboration, where each artist expressed their individuality while still remaining but one part of a group.
Andrew Agace…
Branches: The Nature of Crisis is a site-specific performance created in Wepre Forest, Flintshire by choreographer Constanza Macras for National Theatre Wales. The full performance involved a three-hour walk through the woods, but on September 15th the actors stayed behind to create a new shorter ‘remix’ which was beamed to the centre of Cardiff and streamed on The Space. http://thespace.org/items/s000107e?t=jw47
Branches has…
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